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AN ANALYSIS OF ONE PIECE OP Schoenberg. 08, IN CONNECTION WITH THE 20TH CENTURY

In the twentieth century, the music is said to even help cure human diseases (soul and body), and the effects they cause in animals and plants have already demonstrated with evidence. Thus, the importance of music today is no need to be discussed here in terms of importance, but, he said. Preferences are and if we keep these musicians who were contemporary music, its aim must be precise.

Perhaps the choice of musicians presented in this work perfectly competitive Rowell differential thinking about music (246), is a good starting point. What criteria should be used to select one of them? Arnold Schoenberg (1874-1951) was chosen mainly because its equipment is Avalue, and his work selected for comment is op. 08 acceleration (away from the post of Schoenberg Wagner tonal orbit is the most obvious (Fanning, 1981)).

Arnold Schoenberg has exercised considerable influence on 20th century music, especially through its development and promulgation of theories of composition of the unit in which the work is ensured by the use of a specified range, usually composed of twelve semitones different as possible, their order also inverted or taken in the form of regression, and versions built.

As many comments Rowell, "… The teleological world of linear time, where the music is conceived and perceived as a direct movement, our model is most familiar as in most of the music of Bartok, Berg, Britten, Copland, Hindemith, Prokofiev, and Schoenberg. Many of the traditional assumptions about the time remaining valid for this code, particularly true for the work organized by the principle of tonality "(246).

In this regard, we must focus on the life of Arnold Schoenberg and the race to better understand their music in its contemporary context. In 1933, shortly before his 60th birthday, Arnold Schoenberg, one of the most important composers in history, was forced to flee their native Europe, due to increasing Nazi terror. He also wrote in Latin, but is perhaps most recognizable style of Schoenberg String Quartet No. 4 (1936) Concerto violin (1935-36) and Piano Concerto (1942).   However, Op.08, are said to be completed In 1909, a manuscript containing a note of Schoenberg: "I made the half hour of music for my opera Erwartung in 14 (sic) days." and why can be understood because at that moment when he crossed an emotional crisis, which can be seen in their music (Fanning1981). "Schoenberg is a Wagnerian end of Mahler tracker and Richard Strauss. Schoenberg's name is inextricably linked in the minds of people with serialism and the second school of Vienna. However, a series of works he wrote during their period of "Americans" are very different in flavor. They hug in return, to varying degrees, to "tone" for use in structural elements Serial and triadic tonal implications. The Trial Chamber Symphony No. 2 (1939) incorporates the warmth of the rich harmonies of late Romanticism with transparent textures and rapid, almost neo-classical mind. "

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Fanning says that "like theater and painting expressionist spirit stripped Convention reveal unsuspected passions bare the distortions caused by tax models of behavior and thinking, whether in music a time when atonality was still an analog line and the symbol of the emotion "major" (1981). Nothing is more is that these feelings! Fanning and ends his commentary, in the introduction of the laptop folder Erwartung Lieder op 6. 08, saying it was Schoenberg on the outcome of these new routes, which would take him beyond the romantic late (Verklärte Nacht (1899). It has become saturated due to the decay German culture in 1920 and 1930.

Schoenberg can be considered an exception in this context, not only for the clarity of texture and depth of expression, to get their music more understandable, with a rare substance and distinction (Beazlei 809), but also because the changes since the end of romantic expressionism. The American watch recent immigrants back to their romantic roots, forging almost a new style of classical symphonies and chamber became a milestone in recording the music of the twentieth century. (Beazlei 810).

Once your origins exhibited a concentration in the Opus. 08 should be more appropriate. "Erwartung (Germany), as it was called, the expectations of the meaning). It is a monodrama (stage piece to tell a character), composed by Schoenberg in 1909 but not completed until 1924. In it, a woman who goes to meet her lover is his corpse. "

It may be curious to know the words to "hold" and a final presentation of the content to be seen romantic lines more evident that show the following: "… Love is in the air to catch my beloved, far from advancing beyond the mountains and the gulf! Y must still be new to me! "

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Place does exactly what its name implies. He has an extraordinary interpretation a singer (not named in the dossier), and the music enjoyable, but somewhat contradictory. It begins and ends quietly, but up and down the average. The impression that the Death is part of the story, also how words are interpreted depression is really felt. "Erwartung by Arnold Schoenberg is perhaps less ambitious than their (non)" Moses and Aaron. "This brief a labor law (the running time is considerably less than an hour) gives the most spectacular blow that many of its rivals famous (and more). An unnamed woman, wandering alone in the woods, stumbles over a corpse at night, and gradually discovers her lover's body is empty. Who was the murderer? Was this the same woman? A work by the German Expressionist movement, is both. "

Júlio Medaglia, says in his article "Even Freud explains, "published in the newspaper Folha de S. Paulo-BR 07/12 / / 2001, E-8, "the greatest achievement was her music Schoenberg unconventional. Hitler did not like. Schoenberg was Jewish. He has also contributed with some ideas about the unconscious. Freud brought a dark universe of the unconscious to light (the priest). Schoenberg developed the idea of romantic and emotional representation of the subjectivity of her last pieces of art until the end. He had the power to make all human anguish come from the mouth of someone with melodramas like Erwartung and Pierrot Lunaire, by the use of atonal dissonance, which have no treatment with linear and sweet harmony of romanticism. But having experienced expressionism, constructivism he plans based on the lack of coincidence. He invented a new language, which was called serialism. Sons and / or are not like the sounds of spoken words and / or tacit cultural symbol that occurs in the production or the reception and interpretation depends, because they represent and / or non-consciousness and / or unconscious of the listener / reader. This is the context in which the expression of twelve-tone music is evidenced by the psychological description of a dream or a nightmare in the patient's written / oral and / or write / talk about the symbols cultural rights and / or be useful for your personality.

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According to Lauro Machado Coelho, in his article "The Revolution Arnold Schoenberg twelve-tone "(Folha de Sao Paulo-BR, 07/08/2001)
Schoenberg has opened up new forms of music aesthetics, but not a revolutionary. Schoenberg demanded creativity and imagination of their students, especially the two most talented called Berg and Webern. From 1907-1908, and in the "Buch hängende der Gärten op. 15 ", with poems by Stefan George, who abandoned the concept of tone. A year after" Erwartung "has become a milestone in the music of expressionist influence. His wife Matilda was involved Richard Gerstl, his painting teacher who committed suicide after Matilda, decided to return home. She died in 1923, he married Gertrude Schoenberg.

Ideas about "tone wide" and "emancipation of dissonance" Schoenberg, expressed in his sides, as the style and idea, have not been widely accepted by the violent reactions of the audience and inspired, like those of Julius Korngold, being his enemy. Schoenberg also bothered with Wilhelm Furtwängler as regents, because there was no program for parties. The Nazi authorities were also against it because his music was considered degenerate. And they wanted to expel them from Germany.

Now is the time to remember the importance of Arnold Schoenberg in music history no – we evaluate the future of his legacy. One can see that, like the shadow of Wagner remains lit until the nineteenth century, and Stravinsky's consecration is an important step in the right revolution in the twentieth century. Until the 50s/60s, you can name New Era Schoenberg and serialism.

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The music was presented as a manifestation of the feelings represented in the notes, combined voice (s), but all that is summed up the profound need to enrich human existence, and sublimate many other features of cultural origin, identity, emotions, and especially the artistic devotion, which is not common to us all. Contemplation requires the sensitivity to recognize the efforts of those who interpret this art. And the preferences and social pressure are normal in human society.

Twelve-tone music and the logical consequence is a "series" to music – the articles of the series selected according to the twelve notes of a chromatic scale, so none of them could be seen in person – is what really serious during the '50s, becoming a starting point for the music of other composers Fully prepared as Olivier Messiaen, Pierre Boulez and Milton Babbitt, where the dynamics, instrumental color, and breaks in practice seriously. But the start was very agitated.

Schoenberg has resisted all pressure and the triumph of their music stands after his death, when the new generation of the twentieth century may find their music. "Schoenberg considered the end of art and music as a manifestation and expression of human personality. It would be better understood if one reads his own words:" … because the arts: the art of helping people experience their own experience of the destinies of mankind … their points of view of the world is movement, and the echo is thenecessary off final artwork. "Schoenberg synonymous with innovation, transition, and in turn taken in the context of twentieth century music. Op. 08, is only An example of reluctant acceptance of a great music-making was remarkably resilient to the climate, space and criticism.

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Literature Cited

Mitchell Beazley, Gramophone Classical Good CD Guide, B & W, UK, 1997.

Gibaldi, Joseph. MLA Handbook for Writers of Research Papers, New York:

Modern Language Association, USA, 1988.

Rowell, Lewis. Design of the music, the University of Massachusetts Press, USA, 1983.

Fanning, David. Schoenberg's Erwartung, 6 Lieder op. 08, the record company Decca

London, England, 1981.

Appendix

Schoenberg's words translated from Spanish into English by Antonio Cunha (11/06/2002).

"…« Since art is the cry of distress of those who experience themselves Fate of Humanity … inwardly in them is motion content in the world, opens out the step only Eco: The Work of Art "by Arnold Schoenberg. (See MSN. Schoenberg, October 01, 2002. Http: / / www.geocities.com/Vienna/1577/schonb.html)

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